Imported Sounds | Karl X Johan’s Flames

By Kaila Hawai`i
Filed in Mele / Music

 
We wish we had found this earlier, but well, it’s difficult when you live twelve time zones away from Stockholm! In any case, we’re glad Swedish duo Karl X Johan’s “Flames”, a superbly beautiful track released year, is finally on our radar. It’s one of the best mergers of orchestral samples we’ve heard melded with beats. Plus, the samples help to give a really epic sweep to director Gustav Johansson’s video clip—a very up close and personal look at an intimate evening. (You fill in the rest.) No wonder it’s nominated for this year’s Swedish Grammy for Best Music Video. Enjoy!
 

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HE UA E HIKI MAI | Kealopiko's Nāulu tee for kāne, Makahiki 2011/2012


 
Head to any hula event, pā‘ina, or even the beach, and you’re likely to run into a vividly colored top or dress with intricate designs, often intertwined with ‘ōlelo Hawai‘i. Undoubtedly, you’ve come across the gorgeous handiwork of Kealopiko. Founded in 2006, the company was born from the vision of three inspiring wāhine: Jamie Makasobe, Ane Bakutis, and Hina Kneubuhl, who help to carry the mana‘o of our kūpuna into the modern day.  While the Western calendar is coming to a close, we’re still in the beginning of the Hawaiian Makahiki season—often marked by the arrival of the rains (which has been difficult to miss this season!). With Makahiki here and 2012 right around the corner, it was the perfect time for Kaila Hawai‘i to learn more Kealopiko—now five years strong!—and their mana‘o behind some of the designs from their new collection. Lonoikamakahiki!
 
When it comes to clothes, we usually hear about about fall or spring collections. Kealopiko, though, features Makahiki and Kū collections. For those people who aren’t yet familiar with Makahiki and Kū, what do they mean for you? Why do you find it important to use these distinctively maoli concepts when it comes to showing your work?
Acknowledging these two important times of the year for us is an opportunity to learn about and reconnect with the knowledge of our kūpuna. The division of the year into times for both Lono and Kū provided our ancestors with a larger organization for things that we wanted to explore in a modern way. Both these akua have myriad manifestations in the natural world – plants, animals, weather phenomenon, and so on. We often choose plants or animals that are fruiting, breeding, or spawning during the two seasons. Designing for rains, clouds, and winds is another way to acknowledge time and place.
 

KA WAI A KA NĀULU | Kealopiko's Nāulu skirt for wāhine


 
Speaking of Makahiki, Kealopiko debuted five Makahiki seasons ago. How does it feel to see Kealopiko going to grow five years later?
It is awesome to see that what started as just an idea is now a fully running company with support from so much of our community. I think none of us really anticipated that it would turn into what it has, but looking back after five years it all feels right. And it still feels exciting and alive with potential. We are very thankful to be doing what we do and are deeply grateful to the ‘āina, the kai, our kūpuna, and all the kānaka out there.

And with that anniversary, there are few new additions to the Kealopiko ‘ohana… could you introduce the two new members of the ‘ohana?
This is Manawanui, born to Hina and Kingi on September 20th, and Poohiwi born to Ane and Kekama on October 19th.
 

HERE COMES THE RAIN AGAIN | Kealopiko's Nāulu tee for wāhine, Makahiki 2011/2012


 
I notice there are some beautiful, new designs with this Makahiki collection. What was the inspiration behind the Nāulu?
We had been wanting to do a cloud design for ages. We had the main design meeting for this line on Maui and while throwing around ideas about what kind of cloud we could do, the nāulu cloud came up. It is such a prominent feature of Haleakalā and an example of something in our immediate environment that we might not realize has a name and such an interesting story. We also thought it would be timely, as this year is the 25th anniversary of the end of the bombing on Kaho‘olawe.
 

KAULANA NĀ PUA | Kealopiko's Pua collared tea for kāne, Makahiki 2011/2012


 
There are so many meanings to the word pua. What is the mo‘olelo behind the Pua design?
Pua is a beautiful word and one that many people are familiar with. One of the ideas was to highlight another meaning of the word besides flower – the one most people know. But the main inspiration behind the design came from Jamie’s work at He‘eia fishpond. The fishpond is a place where pua, baby fish of several species, are nurtured. As descendants of our kūpuna, we also need places where we can grow and be nurtured. And like our fish friends, we are challenged to maintain harmony in the pull of the “tide,” or the many challenges of life.

Five years down, what do you see in Kealopiko’s plans in the year to come?
We will, of course, continue to put out two lines a year, but also hope to expand the scope of products we offer. We have been dabbling in re-purposing old garments to produce things like bags, so you might see more in terms of that. As far as design directions, that one will have to remain a surprise.
 

MA HEA E KŪ‘AI MAI AI? (WHERE TO BUY)

Kealopiko’s pieces are available at fine retailers throughout nā kai ‘ewalu as well as a few spots on the ‘Āina ‘Ē, even the Big Apple. For more information, visit kealopiko.com.
 
Images courtesy of Kealopiko
Models: Rosalyn and Austin Kino

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WHITE OUT | Tangentz dancers Miya Monserrat, Lori Ohtani, and Fay Ann Chun in performance. Photo: Wilfred Chun.


 
This month, Honolulu theatergoers have a rare chance to catch Katsura Kan, one of Japan’s great masters of Butoh, in performance at The Arts at Mark’s Garage, courtesy of Tangentz Performance Group. Emerging from the ashes of World War II Japan, Butoh delves into the heart of the human condition and has subsequently become one of the world’s most haunting dance forms. In the midst of rehearsals, Kaila Hawai‘i caught up with Tangentz’ Creative Director Lori Ohtani to learn more about Butoh and the upcoming performance.
 
 
Butoh has been around for a few decades now, but there may be many in the islands who are unfamiliar with it. How would you describe butoh?

Enigmatic beauty that is unconventional and profound.

And what distinguishes it from other dance forms?

Aside from its signature distinguishing features—white body make-up and slow meditative movement—the Butoh dancer strives to penetrate into the many layers of the body,  such as consciousness, skin, bone, cell, nerve… going to the body’s deepest layer. From this beginning, the Butoh dancer has access to many hidden treasures of their background, history, culture, and environment… in turn transforming the dancer  into a new being/beginning and space.

Katsura-kan is one of Japan’s great butoh masters. How did your paths cross?

Tangentz was fortunate to be able to collaborate with Katsura Kan in 1995.

You’ve recently finished a series of butoh workshops with Katsura Kan. How did that experience go for you as well as the participants?

It was very stimulating and fun. I think that everyone who had participated gained the same experience as well as added insights into how our bodies can house unique information about yourself.

On December 16 and 17, Tangentz will present “Curious Fish” with Katsura Kan at The Arts at Mark’s Garage. What is the concept behind the show?

To offer the Hawai‘i audience an opportunity to see a Butoh Master perform in one of his signature works.

And what is the meaning behind “Curious Fish”?

Kan describes Curious Fish as such….“In 1970s Japan, we faced a variety of serious environmental crisis. This crisis was a result of enormously high economic growth. Japan was in deep tragedy. In Japan we especially saw many “strange fish” in our rivers and the sea. I witnessed many cats, dogs, and chickens dancing a type of DEATH DANCE-so to speak… Resulting from the consumption of these strange fish. Sadly, humans also consumed these strange fish. My fragmental dance pieces/ “Curious Fish” are a requiem to the spirits who couldn’t become human, and their lives having been erased before coming into this world.”

Every dance form has its own distinctive language and code—whether it’s hula, classical ballet or Bharata Natyam.  For a new viewer, what is the best way to approach a butoh performance?

With an open mind and no preconceived ideas or expectations.
 

CURIOUS FISH

with Butoh Master Katsura Kan
Presented by Tangentz
Friday, December 16 & Saturday, December 17
The ARTS at MARKS GARAGE
1159 Nu’uanu Avenue
Doors open at 7:00 pm
Show starts at 7:30pm
Tickets: $15 at the door

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IT'S A WRAP! | Designer Deena Tearney, warmly wrapped in a handmade scarf from her mother, is ready for holiday travels.


 
Smartly chic, Deena Tearney is the up-and-coming island taste-maker behind UMEE Honolulu, now available at Therapy at Kahala Mall and The Kahala Hotel and Resort (a perfect stop après lunch at Plumeria Beach House). Before Deena jetted off for the holidays, the Waikīkī resident took the time to answer a few questions for Kaila Hawai‘i as we bring 2011 to a close.

What do you love most about the holiday season?

To me, the Christmas Spirit is what makes this the most wonderful time of the year.  When people smile more, share holiday greetings to passing strangers, and help each other out in small ways, there is an overall feeling of cheer in the air.  It’s the best.

You’ve lived in a few different places—not to mention that you travel quite a bit. How is it for you spending the season in the tropics?

It doesn’t exactly feel like the Holidays in the traditional sense, but O‘ahu has a lot to offer.  We have a bit of a Holiday routine:  We listen to “Mele Kalikimaka” about a thousand times, visit all the Christmas trees in the Waikīkī hotels, request Christmas songs at Lewers Lounge, and check out Honolulu City Lights.  Then, we head off to Kentucky and spend Christmas with my husband’s family on their horse farm, hoping for a white Christmas.  We are truly blessed.

LOVE IN | UMEE Honolulu's From Hawaii with Love Tee

 
Speaking of living in the islands, what’s so refreshing about UMEE Honolulu is that it’s is at once island-inspired but cosmopolitan—making it perfect for a Sunday stroll or a weekend jaunt to the West Coast. Which of your pieces would recommend as a gift for that sophisticated island girl who likes to get up and go?

Our new “from Hawaii with love” tee is a really great gift for all those sophisticated gals on your Christmas list.  For my city look in San Francisco, I wear it under a blazer with a long necklace and pants.  When I’m back on the island, it’s super cute with a denim mini or shorts.  I’m also really digging our kimono headbands and think they make unique and stylish gifts or stocking stuffers. There is nothing quite like this accessory.

SIMPLE CHIC | UMEE Honolulu's Kimono Headband


 
I know you like to pair your favorite UMEE items with pieces from other collections.  Since New Year’s is right around the corner, which UMEE piece would you wear for New Year’s Eve and how you would you dress it up for the big night out?

Our black silk strapless dress is my Holiday must-have.  It’s a great dress to style for Holiday parties or New Year’s celebrations and is a perfect way to compliment all the amazing accessory options this season – lace tights, fur bag, fur scarf… Can you say “wow?!”  This season, I’ll be doing something special and wearing mine with a sparkly white lace knit scarf my Mom made for me.

NEW LOOK | UMEE Honolulu's sleeveless black dress


 
And how do you plan on ringing in the New Year?  Any special wishes or resolutions as we go into 2012?

We are in the middle of purchasing a condo, so we’ll be back on the island for New Year’s.  I hope to be welcoming 2012 sipping champagne in our new condo, thick firework smoke outside (it shouldn’t be there but we know it will be!), and surrounded by boxes.

As for 2012, I’m super excited about the launch of our next collection and all the friends we’ll make along the way.
 

HOLIDAY PICKS FROM UMEE HONOLULU

‘from Hawaii with love’ tee, $23
Kimono headbands, $12
Black silk strapless dress

Available online at UMEE Honolulu. Pieces from UMEE’s current collection are also available at Therapy and The Kahala Hotel and Resort

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A few weeks ago, I came across this clip from Sweden for Jonathan Johansson – Spring 2011. I immediately thought it was for a new Swedish fashion label that I hadn’t heard of before… something perhaps along the lines of J. Lindeberg. But it turned out that the fashion-forward clip was actually a promo for the upcoming album of Swedish singer/songwriter Jonathan Johansson, who is actually quite talented. His debut En hand i himlen is bright and breezy with a glorious dash of 80s pop (just think A-ha). And to his credit, Mr. Johansson does do quite a nifty cover of Tears For Fears’ “Everybody Wants to Rule the World” (see below). While the Pacific Ocean is a bit far from Stockholm, there could always be a lithe, golden-skinned skinned Swedish HPU co-ed who’d be impressed by a tidbit of Scandianvian pop culture and offer a personalized translation.




A fashionable promo…



Tears for Fears, Swedish style…
Alla vill ha hela världen by HYBRIS

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Tamaryn - The Waves

San Francisco-based shoegaze act Tamaryn has swept us away with their first full-length studio release The Waves. Think of it as a Mazzy Star redux but with more drive and rhythm. To get a better idea, check out the single “Love Fade”, a sweeping post-rock romance in a wash of guitars. [Free download link courtesy of RCRD LBL below.]

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A recent article on Mr. Tyler Brûlé in New York magazine confirmed our admiration for the Canadian-born (mini-)media mogul. For the uninitiated, Mr. Brûlé was the force behind Wallpaper* magagzine in the late 1990s, which brushed off traditional celebrity and elevated design to front page focus. Since 2007, Mr. Brûlé has been back in the scene with Monocle, a savvy London based journal that combines global political and economic reportages with a melange of culture, design, and travel features. Being the jet-setting publication it is, Honolulu has appeared quite a few times in Monocle–include a report on the Hawaiian sovereignty movement and more recently, in 2010, features on Honolulu’s place among the most livable cities in the world and the Waikīkī Edition hotel. Apparently, Honolulu holds high marks amongst the editorial team, and we’re not complaining.

Flattery aside, we quite appreciate Monocle’s old-school media approach that emphasizes intelligent, cultured writing and a smart, international perspective. One issue seems to pack in more than we would get in a semester in grad school. Plus, Monocle’s now offers weekly podcasts along with seasonal culture features—the latest installment features all you need to know about the music scene from South Korea.


WHERE TO BUY

Monocle is available in Hawai‘i at Barnes and Noble and Borders. However, be forewarned, the delivery time from across two ponds and a continent often means a delay of several weeks. Avid readers will want to pay their 75 pounds (no extra fee for foreign subscriptions) and subscribe directly from London.

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On the heels of Karl Lagerfeld’s brilliant Spring 2011 collection, inspired by Alain Resnais’ Last Year in Marienbad, we were even more delighted to learn of Mr. Lagerfeld’s upcoming collaboration with Sears Roebuck. A Chanel spokesman has referred this new foray as haute quincaillerie,or high wardware. The collection will debut next summer and will feature custom powertools made with rare, luxe materials – rumor has it that a limited-edition chainsaw will be lined with diamonds-as well as paints inspired by Chanel’s line of nail polish. Locally, the collection will be available at the Chanel flagship on Kalakaua Avenue.

(If you did not get it yet, the above is, unfortunately, a spoof. The fine objet above was created by artist Tom Sachs back in 1996.)

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New York Fashion Week has kicked off again, and we’re feeling the breeze of excitement thousands of miles away. And what a better way to feel the enthusiasm than with this promo film for Alexander Wang’s Fall 2010 collection? Directed by Craig McDean and art directed by Fabien Lebaron, this nifty little clip takes up that locus communis, or common place theme, of a rush of wind through superbly coiffed hair. Nice to know that, after all these years, you can still use a wind machine — not to mention a moody interior and a few ecstatic expressions — to set a mood.

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Maisey RikaI’m not the kind of person who would get choked up from watching a music video, but Maisey Rika’s “Reconnect” moved me. It’s a sublime combination of music, lyrics, and vision. Things from Aotearoa/New Zealand tend to hit a particular chord for me. The clip for “Reconnect” reminds me of Tiki Taane’s “Tangaroa” in how the ancestral past never disappears. Instead, it’s always present… you just need to look at things from a slightly different angle for all those from ages past to reappear.







LISTEN NOW

“Reconnect” is off Maisey Rika’s self-titled debut EP, now available on  iTunes.  She has since followed up with the gorgeous Tohu.

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